{"id":816,"date":"2020-03-04T19:20:58","date_gmt":"2020-03-04T18:20:58","guid":{"rendered":"http:\/\/renaissance-transmedia-lab.fr\/rtl4\/?page_id=816"},"modified":"2021-11-17T11:50:45","modified_gmt":"2021-11-17T10:50:45","slug":"musi2r","status":"publish","type":"page","link":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/musi2r\/","title":{"rendered":"Musi2R"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"slider.php","meta":[],"acf":{"logo":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/logo-musi2r.svg","slide":826},"logo_secondary":{"image":false,"url":""},"show_menu":false,"scroll_slide_mode":false,"slides":[{"slide":{"ID":826,"post_author":1,"post_date":"2020-03-05 10:39:09","post_date_gmt":"2020-03-05 09:39:09","post_content":"","post_title":"Musi2R - Pr\u00e9sentation","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"musi2r-presentation","to_ping":"","pinged":"","post_modified":"2020-07-20 15:08:14","post_modified_gmt":"2020-07-20 13:08:14","post_content_filtered":"","post_parent":0,"guid":"http:\/\/renaissance-transmedia-lab.fr\/rtl4\/?p=826","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":0,"filter":"raw","title":"Musi2R","subtitle":"

La Musique du roi<\/p>\n","text":"

\u00c0 la cour de France, la musique est pr\u00e9sente au quotidien\u00a0: lors des offices religieux, des divertissements royaux, des c\u00e9r\u00e9monies extraordinaires ou dans l\u2019intimit\u00e9 du souverain. La musique participe \u00e0 l\u2019affirmation du pouvoir et au rayonnement de la monarchie. Pour cela, la cour de France entretient un corps de musique capable de fournir en permanence les musiques et les effectifs n\u00e9cessaires.<\/p>\n

Formalis\u00e9e par Fran\u00e7ois Ier<\/sup>, la Musique du roi atteint son apog\u00e9e sous le r\u00e8gne de Louis XIV et rythme la vie de la cour. \u00c0 la fin de l\u2019Ancien R\u00e9gime, la Musique du roi rassemble pr\u00e8s de 200 musiciens, r\u00e9partis dans les trois principaux d\u00e9partements de la Maison du roi : la Chapelle, la Chambre et l\u2019\u00c9curie. Tr\u00e8s hi\u00e9rarchis\u00e9s, ces d\u00e9partements se partagent l\u2019organisation de la vie musicale de la cour, des offices religieux aux divertissements, en passant par les c\u00e9r\u00e9monies protocolaires.<\/p>\n","tags":false,"style":"1col","color":"","back_btn":[{"acf_fc_layout":"page","page":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/"}],"links":[{"acf_fc_layout":"slide","title":"Blois","subtitle":"","slide":818,"cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/1-blois-2.png","icon":false,"direction":"down"},{"acf_fc_layout":"slide","title":"Chambord","subtitle":"","slide":820,"cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/2-chambord-1.png","icon":false,"direction":"down"},{"acf_fc_layout":"slide","title":"Fontainebleau","subtitle":"","slide":822,"cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/3-fontainebleau-1.png","icon":false,"direction":"down"},{"acf_fc_layout":"slide","title":"Saint-Germain-en-Laye","subtitle":"","slide":824,"cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/4-st-germain-1.png","icon":false,"direction":"down"}],"call_to_action":{"text":"","link":false},"available_soon":false,"show_footer":true,"bg_img":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/fond-musi2R-2.jpg","parallax_1":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/01.png","data_desktop":{"pos_x_range":26,"pos_y_range":65,"width_range":54,"height_range":48,"max_width_range":48,"max_height_range":52},"data_mobile":{"pos_x_range":28,"pos_y_range":86,"width_range":91,"height_range":94,"max_width_range":82,"max_height_range":80}},"parallax_2":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/03.png","data_desktop":{"pos_x_range":63,"pos_y_range":40,"width_range":43,"height_range":46,"max_width_range":41,"max_height_range":37},"data_mobile":{"pos_x_range":74,"pos_y_range":31,"width_range":57,"height_range":51,"max_width_range":51,"max_height_range":45}},"parallax_3":{"image":false,"data_desktop":{"pos_x_range":0,"pos_y_range":0,"width_range":0,"height_range":0,"max_width_range":0,"max_height_range":0},"data_mobile":{"pos_x_range":0,"pos_y_range":0,"width_range":0,"height_range":0,"max_width_range":0,"max_height_range":0}},"use_video":false,"use_spritesheet":false,"spritesheet_json":false,"spritesheet_img":false,"spritesheet_loading":false,"in_menu":false,"spritesheet_start_frame":0}},{"slide":{"ID":818,"post_author":1,"post_date":"2020-03-04 19:29:09","post_date_gmt":"2020-03-04 18:29:09","post_content":"","post_title":"Musi2R - Blois","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"musi2r-blois","to_ping":"","pinged":"","post_modified":"2021-11-08 17:22:44","post_modified_gmt":"2021-11-08 16:22:44","post_content_filtered":"","post_parent":0,"guid":"http:\/\/renaissance-transmedia-lab.fr\/rtl4\/?p=818","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":0,"filter":"raw","title":"Ch\u00e2teau de Blois","subtitle":"

C\u00e9r\u00e9monial et musiques d\u2019appartement au temps d\u2019Henri III<\/p>\n","text":"

Le premier c\u00e9r\u00e9monial de la cour de France se met en place au ch\u00e2teau royal de Blois sur la volont\u00e9 d\u2019Henri III. Au sein de ce c\u00e9r\u00e9monial, le coucher du roi constitue un moment essentiel. Il s\u2019agit d\u2019une mise en sc\u00e8ne politique de la vie publique du souverain. Selon ce c\u00e9r\u00e9monial, les chantres de la Musique de la Chambre doivent se tenir dans la Chambre Royale pour accueillir le roi en musique apr\u00e8s que celui-ci se soit d\u00e9shabill\u00e9 dans la Chambre d\u2019\u00c9tat. La journ\u00e9e se d\u00e9roule ainsi sous la forme d\u2019un parcours qui, selon une hi\u00e9rarchie tr\u00e8s stricte, m\u00e8ne les personnes influentes du royaume dans l\u2019espace le plus intime et le plus sacr\u00e9 de la royaut\u00e9, au plus pr\u00e8s du pouvoir.<\/p>\n

D\u00e9couvrez la place de choix que tient la musique dans les appartements du roi, o\u00f9 elle sert le pouvoir en exprimant un id\u00e9al d\u2019harmonie et de paix. <\/em><\/strong><\/p>\n","tags":[{"tag":"Documentaire"},{"tag":"Visite virtuelle en musique"},{"tag":"Musique spatialis\u00e9e"}],"style":"1col","color":"","back_btn":[{"acf_fc_layout":"slide","slide":826}],"links":[{"acf_fc_layout":"video_popup","ut_video_url":"https:\/\/utmedia.univ-tours.fr\/downloads\/file\/v1261be9d16349t5jff3\/?url=media_720_YFfmQsvWkj.mp4","title":"Documentaire","subtitle":"15min","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/vignette-musi2R-Blois.png"},{"acf_fc_layout":"url","title":"Visite virtuelle en musique","subtitle":"T\u00e9l\u00e9charger mac","url":"https:\/\/renaissance-transmedia-lab.fr\/musi2r\/Musi2R-Blois_Caeitan.zip","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/CTA-musi2r-blois-mac.jpg"},{"acf_fc_layout":"url","title":"Visite virtuelle en musique","subtitle":"T\u00e9l\u00e9charger windows","url":"https:\/\/renaissance-transmedia-lab.fr\/musi2r\/Musi2R-Blois_Caeitan.exe","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/CTA-musi2r-blois-windows.jpg"}],"call_to_action":{"text":"","link":false},"available_soon":false,"show_footer":false,"bg_img":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/fond-musi2R-blois.jpg","parallax_1":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/01.png","data_desktop":{"pos_x_range":26,"pos_y_range":65,"width_range":54,"height_range":48,"max_width_range":48,"max_height_range":52},"data_mobile":{"pos_x_range":28,"pos_y_range":86,"width_range":91,"height_range":94,"max_width_range":82,"max_height_range":80}},"parallax_2":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/03.png","data_desktop":{"pos_x_range":63,"pos_y_range":40,"width_range":43,"height_range":46,"max_width_range":41,"max_height_range":37},"data_mobile":{"pos_x_range":74,"pos_y_range":31,"width_range":57,"height_range":51,"max_width_range":51,"max_height_range":45}},"parallax_3":{"image":false,"data_desktop":{"pos_x_range":0,"pos_y_range":0,"width_range":0,"height_range":0,"max_width_range":0,"max_height_range":0},"data_mobile":{"pos_x_range":0,"pos_y_range":0,"width_range":0,"height_range":0,"max_width_range":0,"max_height_range":0}},"use_video":false,"use_spritesheet":false,"spritesheet_json":false,"spritesheet_img":false,"spritesheet_loading":false,"in_menu":false,"spritesheet_start_frame":0}},{"slide":{"ID":820,"post_author":1,"post_date":"2020-03-04 19:29:39","post_date_gmt":"2020-03-04 18:29:39","post_content":"","post_title":"Musi2R - Chambord","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"musi2r-chambord","to_ping":"","pinged":"","post_modified":"2021-11-08 17:23:40","post_modified_gmt":"2021-11-08 16:23:40","post_content_filtered":"","post_parent":0,"guid":"http:\/\/renaissance-transmedia-lab.fr\/rtl4\/?p=820","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":0,"filter":"raw","title":"Ch\u00e2teau de Chambord","subtitle":"

La messe de Louis XIV \u00e0 Chambord<\/p>\n","text":"

De 1668 \u00e0 1685, lors des s\u00e9jours de Louis XIV \u00e0 Chambord, la chapelle du ch\u00e2teau n\u2019est pas encore termin\u00e9e. Pour la messe quotidienne, le roi fait donc am\u00e9nager une chapelle provisoire au 2e<\/sup> \u00e9tage, dans le bras nord de la croix, autour du fameux escalier \u00e0 double r\u00e9volution. Une cloison ferme l\u2019espace, v\u00e9ritable fronti\u00e8re symbolique s\u00e9parant l\u2019espace sacr\u00e9 o\u00f9 r\u00e9side le roi et le reste du ch\u00e2teau qui accueille la cour. C\u2019est ici que r\u00e9sonne la musique \u00e0 Chambord, dans ce bras de croix qui ne respecte aucune des r\u00e8gles acoustiques de l\u2019\u00e9poque. Gr\u00e2ce \u00e0 un am\u00e9nagement, cet espace est transform\u00e9 en un dispositif sonore unique.<\/p>\n

Entrez dans la chapelle provisoire de Chambord et d\u00e9couvrez les coulisses des messes donn\u00e9es en l\u2019honneur de Louis XIV.<\/em><\/strong><\/p>\n","tags":[{"tag":"Documentaire"},{"tag":"Visite virtuelle en musique"},{"tag":"Musique spatialis\u00e9e"}],"style":"1col","color":"","back_btn":[{"acf_fc_layout":"slide","slide":826}],"links":[{"acf_fc_layout":"video_popup","ut_video_url":"https:\/\/utmedia.univ-tours.fr\/downloads\/file\/v1261be9d1809ten2m63\/?url=media_720_iHajvpJLGF.mp4","title":"Documentaire","subtitle":"15min","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/vignette-musi2R-Chambord.png"},{"acf_fc_layout":"url","title":"Visite virtuelle en musique","subtitle":"T\u00e9l\u00e9charger mac","url":"https:\/\/renaissance-transmedia-lab.fr\/musi2r\/Musi2R-Chambord_RobertInExitu.zip","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/CTA-musi2r-chambord-mac.jpg"},{"acf_fc_layout":"url","title":"Visite virtuelle en musique","subtitle":"T\u00e9l\u00e9charger windows","url":"https:\/\/renaissance-transmedia-lab.fr\/musi2r\/Musi2R-Chambord_RobertInExitu.exe","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/CTA-musi2r-chambord-windows.jpg"}],"call_to_action":{"text":"","link":false},"available_soon":false,"show_footer":false,"bg_img":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/fond-musi2R-chambord.jpg","parallax_1":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/01.png","data_desktop":{"pos_x_range":26,"pos_y_range":65,"width_range":54,"height_range":48,"max_width_range":48,"max_height_range":52},"data_mobile":{"pos_x_range":28,"pos_y_range":86,"width_range":91,"height_range":94,"max_width_range":82,"max_height_range":80}},"parallax_2":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/03.png","data_desktop":{"pos_x_range":63,"pos_y_range":40,"width_range":43,"height_range":46,"max_width_range":41,"max_height_range":37},"data_mobile":{"pos_x_range":74,"pos_y_range":31,"width_range":57,"height_range":51,"max_width_range":51,"max_height_range":45}},"parallax_3":{"image":false,"data_desktop":{"pos_x_range":0,"pos_y_range":0,"width_range":0,"height_range":0,"max_width_range":0,"max_height_range":0},"data_mobile":{"pos_x_range":0,"pos_y_range":0,"width_range":0,"height_range":0,"max_width_range":0,"max_height_range":0}},"use_video":false,"use_spritesheet":false,"spritesheet_json":false,"spritesheet_img":false,"spritesheet_loading":false,"in_menu":false,"spritesheet_start_frame":0}},{"slide":{"ID":822,"post_author":1,"post_date":"2020-03-04 19:30:06","post_date_gmt":"2020-03-04 18:30:06","post_content":"","post_title":"Musi2R - Fontainebleau","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"musi2r-fontainebleau","to_ping":"","pinged":"","post_modified":"2021-11-08 17:24:16","post_modified_gmt":"2021-11-08 16:24:16","post_content_filtered":"","post_parent":0,"guid":"http:\/\/renaissance-transmedia-lab.fr\/rtl4\/?p=822","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":0,"filter":"raw","title":"Ch\u00e2teau de Fontainebleau","subtitle":"

La chapelle de la Trinit\u00e9 du ch\u00e2teau de Fontainebleau<\/p>\n","text":"

C\u2019est depuis la chapelle de la Trinit\u00e9 que Louis XIV entend chaque jour la messe. Pass\u00e9 l\u2019automne, lorsque la cour se d\u00e9place de Fontainebleau \u00e0 Versailles, seul un petit groupe de musiciens reste sur place pour assurer la derni\u00e8re c\u00e9l\u00e9bration que Louis XIV entend au matin de son d\u00e9part. Cette c\u00e9l\u00e9bration est constitu\u00e9e d\u2019une messe basse, c\u00e9l\u00e9br\u00e9e \u00e0 l\u2019autel par les chapelains, tandis qu\u2019\u00e0 la tribune, les chantres et \u00ab\u00a0symphonistes\u00a0\u00bb de la Musique de la Chapelle ex\u00e9cutent des motets. Un recueil manuscrit exceptionnel, copi\u00e9 en 1697, r\u00e9v\u00e8le comment les compositeurs ont adapt\u00e9 cette musique majestueuse pour un dispositif plus all\u00e9g\u00e9.<\/p>\n

D\u00e9couvrez l\u2019histoire musicale de cette chapelle et \u00e9coutez les motets de Couperin et de Lalande depuis la tribune des musiciens et la tribune du roi.<\/em><\/strong><\/p>\n","tags":[{"tag":"Documentaire"},{"tag":"Visite virtuelle en musique"},{"tag":"Musique spatialis\u00e9e"}],"style":"1col","color":"","back_btn":[{"acf_fc_layout":"slide","slide":826}],"links":[{"acf_fc_layout":"video_popup","ut_video_url":"https:\/\/utmedia.univ-tours.fr\/downloads\/file\/v1261be9d1926y4na23c\/?url=media_720_r7uTMc4WS6.mp4","title":"Documentaire","subtitle":"15min","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/vignette-musi2R-Fontainebleau.png"},{"acf_fc_layout":"url","title":"Visite virtuelle en musique","subtitle":"T\u00e9l\u00e9charger mac","url":"https:\/\/renaissance-transmedia-lab.fr\/musi2r\/Musi2R-Fontainebleau_Lalande.zip","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/CTA-musi2r-fontainebleau-mac.jpg"},{"acf_fc_layout":"url","title":"Visite virtuelle en musique","subtitle":"T\u00e9l\u00e9charger windows","url":"https:\/\/renaissance-transmedia-lab.fr\/musi2r\/Musi2R-Fontainebleau_Lalande.exe","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/CTA-musi2r-fontainebleau-windows.jpg"}],"call_to_action":{"text":"","link":false},"available_soon":false,"show_footer":false,"bg_img":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/fond-musi2R-fontainebleau.jpg","parallax_1":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/01.png","data_desktop":{"pos_x_range":26,"pos_y_range":65,"width_range":54,"height_range":48,"max_width_range":48,"max_height_range":52},"data_mobile":{"pos_x_range":28,"pos_y_range":86,"width_range":91,"height_range":94,"max_width_range":82,"max_height_range":80}},"parallax_2":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/03.png","data_desktop":{"pos_x_range":63,"pos_y_range":40,"width_range":43,"height_range":46,"max_width_range":41,"max_height_range":37},"data_mobile":{"pos_x_range":74,"pos_y_range":31,"width_range":57,"height_range":51,"max_width_range":51,"max_height_range":45}},"parallax_3":{"image":false,"data_desktop":{"pos_x_range":0,"pos_y_range":0,"width_range":0,"height_range":0,"max_width_range":0,"max_height_range":0},"data_mobile":{"pos_x_range":0,"pos_y_range":0,"width_range":0,"height_range":0,"max_width_range":0,"max_height_range":0}},"use_video":false,"use_spritesheet":false,"spritesheet_json":false,"spritesheet_img":false,"spritesheet_loading":false,"in_menu":false,"spritesheet_start_frame":0}},{"slide":{"ID":824,"post_author":1,"post_date":"2020-03-04 19:30:40","post_date_gmt":"2020-03-04 18:30:40","post_content":"","post_title":"Musi2R - Saint-Germain en-Laye","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"musi2r-saint-germain-en-laye","to_ping":"","pinged":"","post_modified":"2021-11-08 17:24:57","post_modified_gmt":"2021-11-08 16:24:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/renaissance-transmedia-lab.fr\/rtl4\/?p=824","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":0,"filter":"raw","title":"Ch\u00e2teau de Saint-Germain-en-Laye","subtitle":"

La Sainte-Chapelle du ch\u00e2teau de Saint-Germain-en-Laye<\/p>\n","text":"

Tout au long du XVIIe<\/sup> si\u00e8cle, le ch\u00e2teau de Saint-Germain-en-Laye est la r\u00e9sidence principale de la cour de France. Louis XIII y habite quasiment toute l\u2019ann\u00e9e, tandis que, bien avant Versailles, Louis XIV en fait sa r\u00e9sidence principale. Command\u00e9e par Louis IX en 1238, la Sainte-Chapelle annex\u00e9e au ch\u00e2teau subit d\u2019importantes transformations, notamment sous Henri II, qui y fait installer une tribune et des galeries de bois sur tout le pourtour de la nef. Dans les ann\u00e9es 1630, Louis XIII commande un nouveau d\u00e9cor \u2013\u00ad aujourd\u2019hui disparu \u2013 compos\u00e9 de riches boiseries et de peintures, que Louis XIV fait rafra\u00eechir en 1669. La chapelle accueille \u00e9galement un orgue, lui aussi disparu, autour duquel se placent les chanteurs et instrumentistes de la Musique de la chapelle.<\/p>\n

Revivez les c\u00e9r\u00e9monies royales de la cour du Roi Soleil et \u00e9coutez la Musique de la Chapelle depuis la tribune du roi. <\/em><\/strong><\/p>\n","tags":[{"tag":"Documentaire"},{"tag":"Visite virtuelle en musique"},{"tag":"Musique spatialis\u00e9e"}],"style":"1col","color":"","back_btn":[{"acf_fc_layout":"slide","slide":826}],"links":[{"acf_fc_layout":"video_popup","ut_video_url":"https:\/\/utmedia.univ-tours.fr\/downloads\/file\/v1261be9d34e691jy4f4\/?url=media_720_LDOtYDmQNU.mp4","title":"Documentaire","subtitle":"15min","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/vignette-musi2R-St-Germain-en-Laye.png"},{"acf_fc_layout":"url","title":"Visite virtuelle en musique","subtitle":"T\u00e9l\u00e9charger mac","url":"https:\/\/renaissance-transmedia-lab.fr\/musi2r\/Musi2R-St_Germain_SuperFlamina.zip","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/CTA-musi2r-saint-germain-mac-1.jpg"},{"acf_fc_layout":"url","title":"Visite virtuelle en musique","subtitle":"T\u00e9l\u00e9charger windows","url":"https:\/\/renaissance-transmedia-lab.fr\/musi2r\/Musi2R-St_Germain_SuperFlamina.exe","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/CTA-musi2r-saint-germain-windows.jpg"}],"call_to_action":{"text":"","link":false},"available_soon":false,"show_footer":false,"bg_img":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/fond-musi2R-st-germain.jpg","parallax_1":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/01.png","data_desktop":{"pos_x_range":26,"pos_y_range":65,"width_range":54,"height_range":48,"max_width_range":48,"max_height_range":52},"data_mobile":{"pos_x_range":28,"pos_y_range":86,"width_range":91,"height_range":94,"max_width_range":82,"max_height_range":80}},"parallax_2":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/03.png","data_desktop":{"pos_x_range":63,"pos_y_range":40,"width_range":43,"height_range":46,"max_width_range":41,"max_height_range":37},"data_mobile":{"pos_x_range":74,"pos_y_range":31,"width_range":57,"height_range":51,"max_width_range":51,"max_height_range":45}},"parallax_3":{"image":false,"data_desktop":{"pos_x_range":0,"pos_y_range":0,"width_range":0,"height_range":0,"max_width_range":0,"max_height_range":0},"data_mobile":{"pos_x_range":0,"pos_y_range":0,"width_range":0,"height_range":0,"max_width_range":0,"max_height_range":0}},"use_video":false,"use_spritesheet":false,"spritesheet_json":false,"spritesheet_img":false,"spritesheet_loading":false,"in_menu":false,"spritesheet_start_frame":0}}],"credits":"

Mentions l\u00e9gales
\n<\/strong><\/h3>\n

En application de la loi du 11 mars 1957 (art. 41) et du code de la propri\u00e9t\u00e9 intellectuelle du 1er<\/sup> juillet 1992, toute reproduction partielle ou totale \u00e0 usage collectif est strictement interdite sans autorisation de l\u2019Universit\u00e9 de Tours. Les logos, visuels, marques, dispositifs num\u00e9riques et contenus vid\u00e9os pr\u00e9sents sur ce site sont la propri\u00e9t\u00e9 de leur d\u00e9tenteur respectif.<\/p>\n

Les supports de m\u00e9diation pr\u00e9sent\u00e9s sur la page MUSI2R du Renaissance Transm\u00e9dia Lab sont la co-propri\u00e9t\u00e9 de l’universit\u00e9 de Tours, du Centre National de la Recherche Scientifique (CNRS), de l’universit\u00e9 de Bourgogne et du Centre de musique baroque de Versailles (CMBV).<\/p>\n

Les supports de m\u00e9diation MUSI2R ont \u00e9t\u00e9 produits dans le cadre du programme Ambition-Recherche-D\u00e9veloppement Intelligence des Patrimoines, port\u00e9 par l\u2019UMR 7323 CESR – Centre d\u2019\u00e9tudes sup\u00e9rieures de la Renaissance (Universit\u00e9 de Tours \/ CNRS \/ Minist\u00e8re de la Culture), et financ\u00e9 par la R\u00e9gion Centre-Val de Loire.<\/em><\/p>\n

Projet Musi2R<\/h3>\n

Coordination scientifique<\/strong><\/p>\n

Vasco Zara, Ma\u00eetre de conf\u00e9rences & Coordinateur du projet, Universit\u00e9 de Bourgogne\/UMR Artehis 6298
\nSolveig Serre, Charg\u00e9e de recherche, Centre de musique baroque de Versailles (CESR\/CNRS)
\nThomas Leconte, Ing\u00e9nieur de recherche, Centre de musique baroque de Versailles
\nPauline Lemaigre-Gaffier, Ma\u00eetre de conf\u00e9rences, Universit\u00e9 de Versailles Saint-Quentin-en-Yvelines
\nHyacinthe Belliot, Ing\u00e9nieure d\u2019\u00e9tudes, Centre d’\u00e9tudes sup\u00e9rieures de la Renaissance de Tours\/CNRS<\/p>\n

Partenaires du projet
\n<\/strong>Le projet de recherche et de m\u00e9diation MUSI2R a \u00e9t\u00e9 financ\u00e9 par la R\u00e9gion Centre-Val de Loire.
\nCette op\u00e9ration est cofinanc\u00e9e par l\u2019Union europ\u00e9enne. L\u2019Europe s\u2019engage en R\u00e9gion Centre-Val de Loire avec le Fonds Europ\u00e9en de D\u00e9veloppement R\u00e9gional.
\nLe projet de recherche et de m\u00e9diation MUSI2R a b\u00e9n\u00e9fici\u00e9 de partenariats avec le laboratoire DYPAC de l\u2019Universit\u00e9 de Versailles Saint-Quentin-en-Yvelines, le Ch\u00e2teau royal de Blois, le Mus\u00e9e d\u2019Arch\u00e9ologie nationale et Domaine national de Saint-Germain-en-Laye, le Ch\u00e2teau de Fontainebleau, le Domaine national de Chambord.<\/p>\n

Cr\u00e9dits
\n<\/strong>Les supports de m\u00e9diation ont \u00e9t\u00e9 produits avec le concours de : Ensemble Correspondances, Ensemble Doulce M\u00e9moire, Ensemble Jacques Moderne, Ensemble La R\u00eaveuse, GK Vision, KESTU, Laboratoire de M\u00e9canique Gabriel Lam\u00e9 (Universit\u00e9 d\u2019Orl\u00e9ans, INSA Centre Val de Loire, Universit\u00e9 de Tours), C\u00e9dric Cossou, DripMoon, TRADENSYS LANGUAGE SOLUTIONS et Beautiful Georges.<\/p>\n

 <\/p>\n

\"\"<\/p>\n

 <\/p>\n

Page vitrine du projet
\n<\/strong><\/h3>\n

Fonds Albert Pomme de Mirimonde, Jean Garnier\u00a0: All\u00e9gorie en l\u2019honneur de Louis XIV<\/em>, photographie, 1945-1985, Biblioth\u00e8que nationale de France, d\u00e9partement Musique, VM PHOT MIRI-18 (306) \u2013 Source gallica.bnf.fr \/ BnF<\/p>\n

Fonds Albert Pomme de Mirimonde, Suonatrice di liuto [attribu\u00e9 \u00e0] Carlo Saraceni [attribu\u00e9 \u00e0] Caravage<\/em>, photographie, 1945-1985, Biblioth\u00e8que nationale de France, d\u00e9partement Musique, VM PHOT MIRI-16 (505) \u2013 Source gallica.bnf.fr \/ BnF<\/p>\n

Ch\u00e2teau de Chambord, Oratoire \u00a9 Domaine national de Chambord \u2013 Sophie Lloyd<\/p>\n

Hans Holbein The Younger, Jean de Dinteville and Georges de Selve (‘The Ambassadors’)<\/em> (d\u00e9tail), huile sur toile, 1533, London, The National Gallery, NG1314 \u00a9 The National Gallery, London<\/p>\n

Page pr\u00e9sentation du projet<\/strong><\/h3>\n

Fonds Albert Pomme de Mirimonde, Jean Garnier\u00a0: All\u00e9gorie en l\u2019honneur de Louis XIV<\/em>, photographie, 1945-1985, Biblioth\u00e8que nationale de France, d\u00e9partement Musique, VM PHOT MIRI-18 (306) \u2013 Source gallica.bnf.fr \/ BnF<\/p>\n

Fonds Albert Pomme de Mirimonde, Suonatrice di liuto [attribu\u00e9 \u00e0] Carlo Saraceni [attribu\u00e9 \u00e0] Caravage<\/em>, photographie, 1945-1985, Biblioth\u00e8que nationale de France, d\u00e9partement Musique, VM PHOT MIRI-16 (505) \u2013 Source gallica.bnf.fr \/ BnF<\/p>\n

Hans Holbein The Younger, Jean de Dinteville and Georges de Selve (‘The Ambassadors’)<\/em> (d\u00e9tail), huile sur toile, 1533, London, The National Gallery, NG1314 \u00a9 The National Gallery, London<\/p>\n

Ch\u00e2teau de Blois \u00a9 Gillard et Vincent – CRT Centre-Val de Loire<\/p>\n

Ch\u00e2teau de Chambord \u00a9 Domaine national de Chambord – Guillaume Perrin<\/p>\n

Ch\u00e2teau de Fontainebleau \u00a9 Creative Commons CC0<\/p>\n

Ch\u00e2teau de Saint-Germain-en-Laye \u00a9 Creative Commons (CC BY-SA 3.0)<\/p>\n

Page Ch\u00e2teau de Blois<\/strong><\/h3>\n

Vincent Head Barclay, Loir-et-Cher\u00a0: la cour du palais de Blois, dessin d\u2019apr\u00e8s une photographie<\/em>, On\u00e9sime Reclus, La France et les Colonies<\/em>, 2 vols, Paris, Hachette, 1887, ii, p. 563 \u2013\u00a0Public Domain, from the British Library’s collections, 2013, Digital Store 10025.f.6.<\/p>\n

Page Ch\u00e2teau de Chambord<\/strong><\/h3>\n

Chambord Castle<\/em>, gravure, Elis\u00e9e Reclus, Ernst Georg Ravenstein, The Earth and its Inhabitants. The Universal Geography<\/em>, 19 vols, London, J. S. Virtue & Co., 1878, xv\/2. The European section<\/em>, p. 302 \u2013 Public Domain, from the British Library’s collections, 2013, Digital Store 10005.ff.<\/p>\n

Page Ch\u00e2teau de Fontainebleau<\/strong><\/h3>\n

Palais de Fontainebleau. La cour ovale et le baptist\u00e8re<\/em>, gravure, Rudolph Pfnor, Guide artistique et historique au palais de Fontainebleau<\/em>, Paris, Andr\u00e9 Daly, 1889, p. 207 \u2013\u00a0Public Domain, from the British Library’s collections, 2013, Digital Store 10175.s.3.<\/p>\n

Page Ch\u00e2teau de Saint-Germain-en-Laye<\/strong><\/h3>\n

Gustave Fraipont, Ch\u00e2teau de Saint-Germain-en-Laye<\/em>, gravure, Louis Barron, Les environs de Paris<\/em>, Paris, Maison Quantin, 1886, p. 523 \u2013\u00a0Public Domain, from the British Library’s collections, 2013, Digital Store 10170.k.4.<\/p>\n

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