{"id":788,"date":"2020-03-04T17:04:33","date_gmt":"2020-03-04T16:04:33","guid":{"rendered":"http:\/\/renaissance-transmedia-lab.fr\/rtl4\/?page_id=788"},"modified":"2021-11-17T11:52:31","modified_gmt":"2021-11-17T10:52:31","slug":"sculpture-3d","status":"publish","type":"page","link":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/sculpture-3d\/","title":{"rendered":"Sculpture 3D"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"slider.php","meta":[],"acf":{"logo":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/logo-sculpture.svg","slide":794},"logo_secondary":{"image":false,"url":""},"show_menu":false,"scroll_slide_mode":false,"slides":[{"slide":{"ID":794,"post_author":1,"post_date":"2020-03-04 17:09:29","post_date_gmt":"2020-03-04 16:09:29","post_content":"","post_title":"Sculpture 3D - Pr\u00e9sentation","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"sculpture-3d","to_ping":"","pinged":"","post_modified":"2020-07-20 15:05:37","post_modified_gmt":"2020-07-20 13:05:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/renaissance-transmedia-lab.fr\/rtl4\/?p=794","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":0,"filter":"raw","title":"Sculpture 3D","subtitle":"<p><strong>Le projet SCULPTURE 3D rassemble des chercheurs en histoire de l\u2019art et en informatique de l\u2019universit\u00e9 de Tours afin d\u2019\u00e9tudier la sculpture de la Renaissance en Centre Val de Loire, un patrimoine encore tr\u00e8s peu valoris\u00e9. <\/strong><\/p>\n","text":"<p>De cette association est n\u00e9e une exposition-atelier d\u2019un genre nouveau, SCULPTUROSCOPE La&nbsp;<em>Vierge&nbsp;\u00e0&nbsp;l\u2019Enfant<\/em> du r\u00e9el au virtuel, qui s\u2019est tenue en 2018 au Mus\u00e9e des Beaux-Arts de Tours. Mod\u00e8les 3D interactifs, manipulations d\u2019impressions 3D, web-s\u00e9rie\u2026 Le public a pu y d\u00e9couvrir la sculpture d\u2019une mani\u00e8re totalement in\u00e9dite. Des dispositifs num\u00e9riques \u00e0 (re)d\u00e9couvrir sous une nouvelle forme sur le Renaissance Transm\u00e9dia Lab.<\/p>\n<p>Le projet SCULPTURE 3D met aussi \u00e0 l\u2019honneur des \u0153uvres sculpt\u00e9es monumentales, afin de les rendre plus accessibles et d\u2019en faciliter l\u2019analyse. Le <em>Tombeau des enfants de Charles\u00a0VIII et Anne\u00a0de\u00a0Bretagne<\/em> (Tours, cath\u00e9drale) et le Tour de ch\u0153ur de la cath\u00e9drale de Chartres, de la minutie de son ornement \u00e0 la majest\u00e9 de ses grands groupes sculpt\u00e9s\u00a0: des \u0153uvres \u00e0 observer prochainement sur le Renaissance Transm\u00e9dia Lab.<\/p>\n","tags":false,"style":"1col","color":"","back_btn":[{"acf_fc_layout":"page","page":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/"}],"links":[{"acf_fc_layout":"slide","title":"Statues&nbsp;de&nbsp;la <em>Vierge\u00a0\u00e0\u00a0l'Enfant<\/em>","subtitle":"","slide":790,"cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/sculpture-3d-vierge.png","icon":false,"direction":"left"},{"acf_fc_layout":"slide","title":"Sculpture ornementale et\u00a0monumentale","subtitle":"","slide":792,"cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/sculpture-3d-ouvrages.png","icon":false,"direction":"right"}],"call_to_action":{"text":"","link":false},"available_soon":false,"show_footer":true,"bg_img":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/fond-sculpture-3d-3-4.jpg","parallax_1":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/03-2-2.png","data_desktop":{"pos_x_range":69,"pos_y_range":51,"width_range":44,"height_range":47,"max_width_range":57,"max_height_range":51},"data_mobile":{"pos_x_range":59,"pos_y_range":23,"width_range":65,"height_range":65,"max_width_range":65,"max_height_range":65}},"parallax_2":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/01-2-1.png","data_desktop":{"pos_x_range":25,"pos_y_range":53,"width_range":70,"height_range":77,"max_width_range":70,"max_height_range":72},"data_mobile":{"pos_x_range":35,"pos_y_range":100,"width_range":90,"height_range":90,"max_width_range":90,"max_height_range":90}},"parallax_3":{"image":false,"data_desktop":{"pos_x_range":0,"pos_y_range":0,"width_range":0,"height_range":0,"max_width_range":0,"max_height_range":0},"data_mobile":{"pos_x_range":0,"pos_y_range":0,"width_range":0,"height_range":0,"max_width_range":0,"max_height_range":0}},"use_video":false,"use_spritesheet":false,"spritesheet_json":false,"spritesheet_img":false,"spritesheet_loading":false,"in_menu":false,"spritesheet_start_frame":0}},{"slide":{"ID":790,"post_author":1,"post_date":"2020-03-04 17:05:59","post_date_gmt":"2020-03-04 16:05:59","post_content":"","post_title":"Sculpture 3D - Statues de la Vierge \u00e0 l\u2019Enfant","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"sculpture-3d-vierge-a-lenfant","to_ping":"","pinged":"","post_modified":"2021-10-19 17:25:12","post_modified_gmt":"2021-10-19 15:25:12","post_content_filtered":"","post_parent":0,"guid":"http:\/\/renaissance-transmedia-lab.fr\/rtl4\/?p=790","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":0,"filter":"raw","title":"Statues de la--Vierge \u00e0 l\u2019Enfant","subtitle":"<p><strong>Des productions num\u00e9riques pour d\u00e9couvrir le travail des chercheurs et manipuler les \u0153uvres. <\/strong><\/p>\n","text":"<p><strong>La <\/strong><strong><em>Vierge \u00e0 l\u2019Enfant<\/em><\/strong><strong> sous toutes ses faces<br \/>\n<\/strong>Les statues de <em>Vierge \u00e0 l\u2019Enfant<\/em> cr\u00e9\u00e9es au d\u00e9but du XVI<sup>e<\/sup> si\u00e8cle sont des images embl\u00e9matiques de l\u2019art de la Renaissance en Val de Loire. Cette application offre une nouvelle lecture d\u2019un ensemble de douze sculptures. Huit mod\u00e8les 3D peuvent \u00eatre manipul\u00e9s\u00a0; celui de la <em>Vierge \u00e0 l\u2019Enfant <\/em>de Blois est d\u00e9clin\u00e9 en parcours sp\u00e9cifiques pour comprendre sa technique et son style.<\/p>\n<p><strong>Web-s\u00e9rie documentaire, les coulisses du projet<br \/>\n<\/strong>Cette web-s\u00e9rie documentaire donne acc\u00e8s aux coulisses du projet. Cinq vid\u00e9os invitent \u00e0 suivre les chercheurs sur le terrain gr\u00e2ce \u00e0 des entretiens et des ouvrages film\u00e9s. Elles offrent un regard plus intime sur les \u0153uvres et l\u2019histoire de l\u2019art, ainsi qu\u2019un t\u00e9moignage sur la cr\u00e9ation des dispositifs num\u00e9riques.<\/p>\n<p><strong>Zoom sur la technique du <em>Sgraffito<br \/>\n<\/em><\/strong>La <em>Vierge \u00e0 l\u2019Enfant<\/em> de l\u2019ancien couvent des Carmes \u00e0 Tours a re\u00e7u une polychromie particuli\u00e8rement riche, incluant une dorure travaill\u00e9e selon la technique du <em>sgraffito,<\/em> qui permet de cr\u00e9er des motifs bicolores, blanc et or. Cette vid\u00e9o en pr\u00e9sente les diff\u00e9rentes \u00e9tapes ex\u00e9cut\u00e9es par des \u00e9l\u00e8ves du cursus de conservation-restauration des \u0153uvres sculpt\u00e9es de l\u2019\u00c9cole sup\u00e9rieure d\u2019art et de design \u2013 Tours Angers Le Mans.<\/p>\n","tags":[{"tag":"Mod\u00e8les 3D interactifs"},{"tag":"Sculpture "},{"tag":"Web-s\u00e9rie documentaire "}],"style":"1col","color":"","back_btn":[{"acf_fc_layout":"slide","slide":794}],"links":[{"acf_fc_layout":"url","title":"Sculpture 3D","subtitle":"Application","url":"https:\/\/renaissance-transmedia-lab.fr\/Sculpture3D_App\/#\/","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/vignette-appli-sculpture3D.png"},{"acf_fc_layout":"page","title":"Web-s\u00e9rie","subtitle":"<em>Vierge \u00e0 l'enfant<\/em>","page":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/web-doc-vierge-a-lenfant\/","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/sculpture-3d-vierge-web-doc.png"},{"acf_fc_layout":"page","title":"Documentaire","subtitle":"<em>Sgraffito<\/em>","page":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/documentaire-sgraffito\/","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/sculpture-3d-vierge-Sgraffito.png"}],"call_to_action":{"text":"","link":false},"available_soon":false,"show_footer":false,"bg_img":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/fond-sculpture-3d-3-4.jpg","parallax_1":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/03-2-2.png","data_desktop":{"pos_x_range":69,"pos_y_range":51,"width_range":44,"height_range":47,"max_width_range":57,"max_height_range":51},"data_mobile":{"pos_x_range":58,"pos_y_range":23,"width_range":65,"height_range":65,"max_width_range":65,"max_height_range":65}},"parallax_2":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/01-2-1.png","data_desktop":{"pos_x_range":25,"pos_y_range":53,"width_range":70,"height_range":77,"max_width_range":70,"max_height_range":72},"data_mobile":{"pos_x_range":70,"pos_y_range":100,"width_range":80,"height_range":80,"max_width_range":80,"max_height_range":80}},"parallax_3":{"image":false,"data_desktop":{"pos_x_range":0,"pos_y_range":0,"width_range":0,"height_range":0,"max_width_range":0,"max_height_range":0},"data_mobile":{"pos_x_range":0,"pos_y_range":0,"width_range":0,"height_range":0,"max_width_range":0,"max_height_range":0}},"use_video":false,"use_spritesheet":false,"spritesheet_json":false,"spritesheet_img":false,"spritesheet_loading":false,"in_menu":false,"spritesheet_start_frame":0}},{"slide":{"ID":792,"post_author":1,"post_date":"2020-03-04 17:07:49","post_date_gmt":"2020-03-04 16:07:49","post_content":"","post_title":"Sculpture 3D - Sculpture ornementale et monumentale","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"sculpture-3d-ouvrages-monumentaux","to_ping":"","pinged":"","post_modified":"2020-07-20 15:04:51","post_modified_gmt":"2020-07-20 13:04:51","post_content_filtered":"","post_parent":0,"guid":"http:\/\/renaissance-transmedia-lab.fr\/rtl4\/?p=792","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":0,"filter":"raw","title":"Sculpture--ornementale--et monumentale ","subtitle":"<p><strong>Admirez et manipulez virtuellement la sculpture monumentale. <\/strong><\/p>\n","text":"<p><strong>Le Tour de ch\u0153ur de la cath\u00e9drale de Chartres<br \/>\n<\/strong>La grande cl\u00f4ture de ch\u0153ur de Notre-Dame de Chartres est orn\u00e9e d\u2019un tr\u00e8s riche d\u00e9cor sculpt\u00e9 et abrite quarante groupes statuaires r\u00e9alis\u00e9s entre le XVI<sup>e<\/sup> et le XVIII<sup>e<\/sup> si\u00e8cle. En profitant de sa restauration en cours depuis 2015, les projets de recherche du CESR : SCULPTURE3D et ChArtRes, visent \u00e0 l\u2019\u00e9tudier de mani\u00e8re approfondie. Le recourt au num\u00e9rique permet d\u2019analyser les statues de pr\u00e8s, de d\u00e9crypter l\u2019ornement, de lire le monument dans un espace num\u00e9rique \u00e0 360\u00b0, de restituer l\u2019ensemble tel qu\u2019il \u00e9tait \u00e0 la Renaissance\u2026<\/p>\n<p><strong>Le Tombeau des enfants de Charles VIII et Anne de Bretagne de la cath\u00e9drale de Tours<br \/>\n<\/strong>Les restitutions en 3D du tombeau de la cath\u00e9drale de Tours invite \u00e0 se saisir de cette \u0153uvre monumentale pour la consid\u00e9rer sous toutes ses faces. Le mod\u00e8le 3D a pour l\u2019occasion \u00e9t\u00e9 d\u00e9coup\u00e9 afin de rendre lisible les diff\u00e9rentes parties dont le monument est compos\u00e9.<\/p>\n","tags":[{"tag":"Monuments sculpt\u00e9s "},{"tag":"Restitutions 3D"}],"style":"1col","color":"","back_btn":[{"acf_fc_layout":"slide","slide":794}],"links":[{"acf_fc_layout":"url","title":"Tour de ch\u0153ur","subtitle":"Cathe\u0301drale de&nbsp;Chartres","url":"#","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/sculpture-3d-ouvrage-tour.png"},{"acf_fc_layout":"url","title":"Tombeau&nbsp;des enfants&nbsp;royaux","subtitle":"Cathe\u0301drale de Tours","url":"#","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/sculpture-3d-ouvrage-tombeau.png"}],"call_to_action":{"text":"","link":false},"available_soon":true,"show_footer":false,"bg_img":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/fond-sculpture-3d-3-4.jpg","parallax_1":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/03-2-2.png","data_desktop":{"pos_x_range":69,"pos_y_range":51,"width_range":44,"height_range":47,"max_width_range":57,"max_height_range":51},"data_mobile":{"pos_x_range":58,"pos_y_range":23,"width_range":65,"height_range":65,"max_width_range":65,"max_height_range":65}},"parallax_2":{"image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/03\/01-2-1.png","data_desktop":{"pos_x_range":25,"pos_y_range":53,"width_range":70,"height_range":77,"max_width_range":70,"max_height_range":72},"data_mobile":{"pos_x_range":35,"pos_y_range":100,"width_range":90,"height_range":90,"max_width_range":90,"max_height_range":90}},"parallax_3":{"image":false,"data_desktop":{"pos_x_range":0,"pos_y_range":0,"width_range":0,"height_range":0,"max_width_range":0,"max_height_range":0},"data_mobile":{"pos_x_range":0,"pos_y_range":0,"width_range":0,"height_range":0,"max_width_range":0,"max_height_range":0}},"use_video":false,"use_spritesheet":false,"spritesheet_json":false,"spritesheet_img":false,"spritesheet_loading":false,"in_menu":false,"spritesheet_start_frame":0}}],"credits":"<h3><strong>Mentions l\u00e9gales<br \/>\n<\/strong><\/h3>\n<p>En application de la loi du 11 mars 1957 (art. 41) et du code de la propri\u00e9t\u00e9 intellectuelle du 1<sup>er<\/sup> juillet 1992, toute reproduction partielle ou totale \u00e0 usage collectif est strictement interdite sans autorisation de l\u2019Universit\u00e9 de Tours. Les logos, visuels, marques, dispositifs num\u00e9riques et contenus vid\u00e9os pr\u00e9sents sur ce site sont la propri\u00e9t\u00e9 de leur d\u00e9tenteur respectif.<\/p>\n<p>Les supports de m\u00e9diation pr\u00e9sent\u00e9s sur la page SCULPTURE3D et du Renaissance Transm\u00e9dia Lab sont la co-propri\u00e9t\u00e9 de l&rsquo;universit\u00e9 de Tours et du Centre National de la Recherche Scientifique (CNRS).<\/p>\n<p><em>Les supports de m\u00e9diation SCULPTURE3D et ChArtRes ont \u00e9t\u00e9 produits dans le cadre du programme Ambition-Recherche-D\u00e9veloppement Intelligence des Patrimoines, port\u00e9 par l\u2019UMR 7323 CESR &#8211; Centre d\u2019\u00e9tudes sup\u00e9rieures de la Renaissance (Universit\u00e9 de Tours \/ CNRS \/ Minist\u00e8re de la Culture), et financ\u00e9 par la R\u00e9gion Centre-Val de Loire.<\/em><\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Projet Sculpture 3D<\/strong><\/h3>\n<p><strong>Coordination scientifique<br \/>\n<\/strong>Marion Boudon-Machuel, Professeure, Chercheure &amp; Coordinatrice du projet, Centre d&rsquo;\u00e9tudes sup\u00e9rieures de Tours (CESR\/UMR 7323)<br \/>\nGilles Venturini, Professeur &amp; Chercheur, Laboratoire d&rsquo;Informatique Fondamentale et Appliqu\u00e9e de Tours (LIFAT)<br \/>\nBarth\u00e9lemy Serres, Ing\u00e9nieur d\u2019\u00e9tudes, CETU ILIA3 Universit\u00e9 de Tours<br \/>\nDamien Lestienne, Assistant ing\u00e9nieur, CETU ILIA3 Universit\u00e9 de Tours<\/p>\n<p><strong>Partenaires du projet<br \/>\n<\/strong>Le projet de recherche et de m\u00e9diation SULPTURE3D a \u00e9t\u00e9 financ\u00e9 par la R\u00e9gion Centre-Val de Loire.<br \/>\nCette op\u00e9ration est cofinanc\u00e9e par l\u2019Union europ\u00e9enne. L\u2019Europe s\u2019engage en R\u00e9gion Centre-Val de Loire avec le Fonds Europ\u00e9en de D\u00e9veloppement R\u00e9gional.<br \/>\nLe projet de recherche et de m\u00e9diation SULPTURE3D a b\u00e9n\u00e9fici\u00e9 d&rsquo;un partenariat avec le Laboratoire d\u2019Informatique Fondamentale et Appliqu\u00e9e de Tours (LIFAT) EA 6300, CMN Ch d&rsquo;Azay le Rideau-La Psalette, Mus\u00e9e des Beaux Arts de Tours et la DRAC Centre-Val de Loire.<\/p>\n<p><strong>Cr\u00e9dits<br \/>\n<\/strong>Les supports de m\u00e9diation ont \u00e9t\u00e9 produits avec le concours de MGDesign et Beautiful Georges.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone wp-image-1827\" src=\"http:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/07\/logo-Sculpture-3D-300x71.png\" alt=\"\" width=\"625\" height=\"148\" srcset=\"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/07\/logo-Sculpture-3D-300x71.png 300w, https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/07\/logo-Sculpture-3D-768x183.png 768w, https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/07\/logo-Sculpture-3D-1024x243.png 1024w, https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/07\/logo-Sculpture-3D.png 1645w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Projet ChArtRes<\/strong><\/h3>\n<p><strong>Coordination scientifique<br \/>\n<\/strong>Marion Boudon-Machuel, Professeure, Chercheure &amp; Coordinatrice du projet, Centre d&rsquo;\u00e9tudes sup\u00e9rieures de Tours (CESR\/UMR 7323)<br \/>\nPascale Charron, Ma\u00eetre de conf\u00e9rences en Histoire de l&rsquo;art, Centre d&rsquo;\u00e9tudes sup\u00e9rieures de Tours (CESR\/UMR 7323)<\/p>\n<p><strong>Partenaires du projet<br \/>\n<\/strong>Le projet de recherche et de m\u00e9diation ChArtRes a \u00e9t\u00e9 financ\u00e9 par la R\u00e9gion Centre-Val de Loire.<br \/>\nLe projet de recherche et de m\u00e9diation ChArtRes a b\u00e9n\u00e9fici\u00e9 d&rsquo;un partenariat avec la MSH Val de Loire USR 3501, Service Patrimoine et Inventaire Centre-Val de Loire, DRAC Centre-Val de Loire, Centre International du Vitrail, Centre d&rsquo;Expertise et Transfert Universitaire ILIAD3, Centre Andr\u00e9 Chastel UMR 8150, Mus\u00e9e du Berry, Association Rencontre avec le Patrimoine Religieux.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone wp-image-1556\" src=\"http:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/06\/logo-ChArtRes-blancs-300x77.png\" alt=\"\" width=\"499\" height=\"128\" srcset=\"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/06\/logo-ChArtRes-blancs-300x77.png 300w, https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2020\/06\/logo-ChArtRes-blancs.png 659w\" sizes=\"(max-width: 499px) 100vw, 499px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Page vitrine du projet<\/strong><\/h3>\n<p>Mod\u00e8les 3D \u00a9CESR \u2013 LIFAT\/CETU ILIAD3<\/p>\n<p>Vierge \u00e0 l\u2019Enfant de Blois (d\u00e9tail), Mus\u00e9e du ch\u00e2teau de Blois \u00a9CESR\/Kulturae\u2019Com<\/p>\n"},"_links":{"self":[{"href":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-json\/wp\/v2\/pages\/788"}],"collection":[{"href":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-json\/wp\/v2\/comments?post=788"}],"version-history":[{"count":24,"href":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-json\/wp\/v2\/pages\/788\/revisions"}],"predecessor-version":[{"id":4069,"href":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-json\/wp\/v2\/pages\/788\/revisions\/4069"}],"wp:attachment":[{"href":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-json\/wp\/v2\/media?parent=788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}