{"id":2773,"date":"2021-04-09T19:39:54","date_gmt":"2021-04-09T17:39:54","guid":{"rendered":"http:\/\/renaissance-transmedia-lab.fr\/rtl4\/?page_id=2773"},"modified":"2021-12-15T18:20:00","modified_gmt":"2021-12-15T17:20:00","slug":"mooc-la-renaissance-en-val-de-loire-sante","status":"publish","type":"page","link":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/mooc-la-renaissance-en-val-de-loire-sante\/","title":{"rendered":"4. La sant\u00e9"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"timeline.php","meta":[],"acf":{"title":"La sant\u00e9","logo":false,"back_btn":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/mooc-la-renaissance-en-val-de-loire-presentation\/","chapters":[{"title":"La sant\u00e9","cover":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/MOOC-ep4-.png","start_time":0,"cue_points":[{"title":"Guy de Chauliac","start_time":230,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/1-Guy-de-Chauliac.png","credit":"

Guy de Cauliac ou Chauliac (1290?-1368), m\u00e9decin et chirurgien, originaire de\u00a0Chaulhac en Loz\u00e8re<\/em>, Versailles, ch\u00e2teaux de Versailles et de Trianon \u00a9\u00a0Ch\u00e2teau de\u00a0Versailles, Dist. RMN-Grand Palais \/ image\u00a0ch\u00e2teau de\u00a0Versailles<\/p>\n"},{"acf_fc_layout":"title","title":"Guy de Chauliac"},{"acf_fc_layout":"text","text":"

Un chirurgien-clerc : Guy de Chauliac.<\/em>
\nPar Sylvie Bazin-Tacchella<\/p>\n"},{"acf_fc_layout":"button","text":"Consultez la publication","url":"https:\/\/books.openedition.org\/pup\/2444?lang=fr"}]},{"title":"Chirurgie\u00a0: la\u00a0tr\u00e9panation","start_time":252,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/2-cra\u0302ne-tre\u0301pane\u0301.png","credit":"

Cr\u00e2ne tr\u00e9pan\u00e9, issu des fouilles arch\u00e9ologiques au Prieur\u00e9 Saint-Cosme, La\u00a0Riche \u00a9\u00a0Valentin Miclon, UMR7324 CITERES-LAT, Universit\u00e9 de Tours<\/p>\n"},{"acf_fc_layout":"title","title":"Chirurgie\u00a0: la\u00a0tr\u00e9panation"},{"acf_fc_layout":"text","text":"

La tr\u00e9panation : \u00e9tude de cette pratique chirurgicale au Moyen \u00c2ge.<\/em>
\nPar C\u00e9cile Giraud<\/p>\n"},{"acf_fc_layout":"button","text":"Consultez la publication","url":"http:\/\/www.laboratoiredanthropologieanatomiqueetdepaleopathologiedelyon.fr\/PALEOBIOS%202004\/tr%C3%A9panation\/La%20tr%C3%A9panation%20%C3%A9tude%20de%20cette%20pratique%20chirurgicale%20au%20Moyen%20Age.htm"}]},{"title":"Chirurgie\u00a0: l'amputation","start_time":330,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/3-Ambroise-Pare\u0301-amputation.png","credit":"

D’apr\u00e8s Henri Matout, Ambroise Par\u00e9 appliquant la ligature aux art\u00e8res apr\u00e8s une amputation et\u00a0repoussant le fer rouge employ\u00e9 jusqu’alors<\/em> (d\u00e9tail), contretype de la photographie d’apr\u00e8s la\u00a0gravure de\u00a0Massart \u2013 Collection BIU Sant\u00e9 M\u00e9decine – CIPC0109<\/p>\n"},{"acf_fc_layout":"title","title":"Chirurgie\u00a0: l'amputation"},{"acf_fc_layout":"text","text":"

Ambroise Par\u00e9 II: Par\u00e9\u2019s contributions to amputation and ligature.<\/em>
\nPar Philippe Hernigou<\/p>\n"},{"acf_fc_layout":"button","text":"Consultez la publication","url":"https:\/\/www.ncbi.nlm.nih.gov\/pmc\/articles\/PMC3609990\/"}]},{"title":"Les\u00a0l\u00e9proseries en\u00a0Touraine au\u00a0Moyen\u00a0\u00c2ge ","start_time":355,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/4-leproseries-\u00a9Touati-2004.png","credit":"

Les l\u00e9proseries \u00a9\u00a0Fran\u00e7ois-Olivier Touati, Universit\u00e9 de Tours 2004<\/p>\n"},{"acf_fc_layout":"title","title":"Les\u00a0l\u00e9proseries en\u00a0Touraine au\u00a0Moyen\u00a0\u00c2ge "},{"acf_fc_layout":"text","text":"

Les l\u00e9proseries au Moyen \u00c2ge.<\/em>
\nPar Marie-Laure S\u00e9nagas, \u00e0 d\u00e9couvrir dans l’Atlas Arch\u00e9ologique de\u00a0Touraine.<\/p>\n"},{"acf_fc_layout":"button","text":"Parcourez l'Atlas","url":"http:\/\/a2t.univ-tours.fr\/notice.php?id=108"}]},{"title":"Saint\u00a0Roch","start_time":390,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/5-Saint-Roch-Bretonneau.png","credit":"

Saint Roch, chapelle de l’h\u00f4pital Bretonneau, Tours \u00a9\u00a0MOOC La Renaissance en Val de Loire<\/p>\n"},{"acf_fc_layout":"title","title":"Saint Roch"},{"acf_fc_layout":"text","text":"

D\u00e9couvrez la vie de Saint Roch.<\/p>\n"},{"acf_fc_layout":"button","text":"Parcourez le site","url":"http:\/\/www.st-roch.com\/saint-roch\/laviedesaintroch\/"}]},{"title":"Le mus\u00e9e imaginaire hospitalier","start_time":440,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/6-Muse\u0301e-imaginaire-hospitalier.png","credit":"

Une salle des malades<\/em>, dans Jehan Henry, Le livre de la vie active de l’H\u00f4tel-Dieu de Paris<\/em>, fol. 167, vers\u00a01482-1483 \u00a9\u00a0Mus\u00e9e AP-HP, via\u00a0Wikimedia\u00a0Commons<\/p>\n"},{"acf_fc_layout":"title","title":"Le mus\u00e9e imaginaire hospitalier"},{"acf_fc_layout":"text","text":"

D\u00e9couvrez des repr\u00e9sentations embl\u00e9matiques du monde de la sant\u00e9 en parcourant le mus\u00e9e imaginaire hospitalier de la soci\u00e9t\u00e9 fran\u00e7aise d’Histoire des H\u00f4pitaux.<\/p>\n"},{"acf_fc_layout":"button","text":"Acc\u00e9dez au site","url":"https:\/\/www.biusante.parisdescartes.fr\/sfhh\/musee_imag.htm"}]},{"title":"La peste","start_time":485,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/7-La-peste.png","credit":"

Polidoro Caldara, Saint Roch b\u00e9nissant les pestif\u00e9r\u00e9s<\/em>, XVIe<\/sup>\u00a0si\u00e8cle, Paris, Mus\u00e9e\u00a0du Louvre \u00a9\u00a0RMN-Grand\u00a0Palais (mus\u00e9e\u00a0du\u00a0Louvre) \/ Thierry\u00a0Le\u00a0Mage<\/p>\n"},{"acf_fc_layout":"title","title":"La peste"},{"acf_fc_layout":"text","text":"

La peste, fl\u00e9au majeur. <\/em>Par Monique Lucenet<\/p>\n"},{"acf_fc_layout":"button","text":"Consultez la publication","url":"https:\/\/www.biusante.parisdescartes.fr\/histoire\/medica\/presentations\/peste.php"},{"acf_fc_layout":"text","text":"

 <\/p>\n

A draft genome of\u00a0Yersinia pestis\u00a0from victims of the Black Death.<\/em>
\nPar Kirsten I. Bos, Verena J. Schuenemann, G. Brian Golding, Hern\u00e1n A. Burbano,Nicholas Waglechner, Brian K. Coombes, Joseph B. McPhee, Sharon N. DeWitte, Matthias Meyer,Sarah Schmedes, James Wood, David J. D. Earn, D. Ann Herring, Peter Bauer,Hendrik N. Poinar et Johannes Krause<\/p>\n"},{"acf_fc_layout":"button","text":"Consultez la publication","url":"https:\/\/www.ncbi.nlm.nih.gov\/pmc\/articles\/PMC3690193\/"}]},{"title":"Le Sanitas","start_time":612,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/8-Les-sanitas.png","credit":"

Brigitte Maillard,\u00a0Vivre en Touraine au\u00a0XVIIIe<\/sup>\u00a0si\u00e8cle<\/em>. Rennes\u00a0: Presses universitaires de Rennes, 2003<\/p>\n"},{"acf_fc_layout":"title","title":"Le Sanitas"},{"acf_fc_layout":"text","text":"

D\u00e9couvrez la ville de Tours au temps de Marie\u00a0Guyard en\u00a0parcourant l’ouvrage d’Annie Antoine, Vivre en Touraine au\u00a0XVIIIe<\/sup>\u00a0si\u00e8cle.<\/em><\/p>\n"},{"acf_fc_layout":"button","text":"Consultez le chapitre","url":"https:\/\/books.openedition.org\/pur\/9266#bodyftn9"}]},{"title":"Nicolas de\u00a0Nancel","start_time":650,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/9-rhren_Couv.png","credit":"

R\u00e9forme, Humanisme, Renaissance<\/em>, n\u00b070, 2010.<\/p>\n"},{"acf_fc_layout":"title","title":"Nicolas de Nancel"},{"acf_fc_layout":"text","text":"

Le discours didascalique sur la peste dans les trait\u00e9s m\u00e9dicaux de\u00a0la\u00a0Renaissance\u00a0: rationaliser et\/ou inqui\u00e9ter.<\/em>
\nPar V\u00e9ronique Montagne<\/p>\n"},{"acf_fc_layout":"button","text":"Consultez l'article","url":"https:\/\/www.persee.fr\/doc\/rhren_1771-1347_2010_num_70_1_3099"}]},{"title":"La Chapelle Saint-Lazare","start_time":1024,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/10-Atlas-archeologique-de-Tours.png","credit":"

\u00a9\u00a0Inrap\u00a02010<\/p>\n

 <\/p>\n"},{"acf_fc_layout":"title","title":"La Chapelle Saint-Lazare"},{"acf_fc_layout":"text","text":"

Parcourez l’atlas arch\u00e9ologique de l’Inrap et d\u00e9couvrez les r\u00e9sultats de la fouille arch\u00e9ologique men\u00e9e \u00e0 la chapelle Saint-Lazare de\u00a0Tours.<\/p>\n"},{"acf_fc_layout":"button","text":"Acc\u00e9dez au site","url":"https:\/\/multimedia.inrap.fr\/atlas\/tours\/sites\/2444\/Chapelle-Saint-Lazare#.YIa8j-s6-fU"}]},{"title":"La Facult\u00e9 de\u00a0m\u00e9decine de\u00a0Montpellier","start_time":1286,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/11-centre-historique-Montpellier.png","credit":"

Centre Historique Altrium \u00a9\u00a0Facult\u00e9 de M\u00e9decine Montpellier<\/p>\n"},{"acf_fc_layout":"title","title":"La Facult\u00e9 de\u00a0m\u00e9decine de\u00a0Montpellier"},{"acf_fc_layout":"text","text":"

Parcourez l’histoire de la ville et de la facult\u00e9 de m\u00e9decine de\u00a0Montpellier.<\/p>\n"},{"acf_fc_layout":"button","text":"Acc\u00e9dez au site","url":"https:\/\/facmedecine.umontpellier.fr\/patrimoine-historique\/son-histoire\/"}]},{"title":"La pierre de\u00a0b\u00e9zoard","start_time":1331,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/12-bezoard.png","credit":"

Animal portant le bezoar<\/em>, gravure dans Pierre\u00a0Pomet, Histoire g\u00e9n\u00e9rale des drogues<\/em>, p. 10, Paris\u00a0: J.\u00a0B.\u00a0Loyson et A. Pilon, 1694 \u2013 Collection BIU Sant\u00e9 M\u00e9decine, 000193<\/p>\n"},{"acf_fc_layout":"title","title":"La pierre de\u00a0b\u00e9zoard"},{"acf_fc_layout":"text","text":"

Les deux articles les plus pr\u00e9cieux de la vieille pharmacop\u00e9e\u00a0: le\u00a0b\u00e9zoard et la corne de licorne.<\/em>
\nPar Eug\u00e8ne-Humbert Guitard<\/p>\n"},{"acf_fc_layout":"button","text":"Consultez la publication","url":"https:\/\/www.persee.fr\/doc\/pharm_0035-2349_1951_num_39_131_8629"},{"acf_fc_layout":"text","text":"

 <\/p>\n

B\u00e9zoards.<\/em>
\nPar Zubair Malik<\/p>\n"},{"acf_fc_layout":"button","text":"Consultez la publication","url":"https:\/\/www.msdmanuals.com\/fr\/accueil\/troubles-digestifs\/b%C3%A9zoards-et-corps-%C3%A9trangers-du-tube-digestif\/b%C3%A9zoards"}]},{"title":"La syphilis","start_time":1363,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/13-syphilis.png","credit":"

\u00a9\u00a0Bayerische\u00a0Staatsbibliothek<\/p>\n"},{"acf_fc_layout":"title","title":"La syphilis"},{"acf_fc_layout":"text","text":"

D\u00e9couvrez l’histoire de la syphilis \u00e0 travers un dossier th\u00e9matique complet.<\/p>\n"},{"acf_fc_layout":"button","text":"Consultez la publication","url":"https:\/\/journals.openedition.org\/hms\/927"}]},{"title":"Thibault Lesplegney","start_time":1424,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/14-Thibault-Lespleigney.png","credit":"

Thibault Lespleigney, Titre de la I\u00e8re<\/sup>\u00a0\u00e9dition du Promptuaire des m\u00e9decines simples en rithme joieuse<\/em>, extrait de la r\u00e9\u00e9dition publi\u00e9e par P. Dorveau, Paris\u00a0: Welter, 1899 \u2013 Collection BIU Sant\u00e9 M\u00e9decine, pharma_019185<\/p>\n"},{"acf_fc_layout":"title","title":"Thibault Lesplegney"},{"acf_fc_layout":"text","text":"

Deux figures du monde pharmaceutique tourangeau\u00a0: Thibault\u00a0Lespleigney et Maurice\u00a0Javillier.<\/em>
\nPar Claude Viel<\/p>\n"},{"acf_fc_layout":"button","text":"Consultez la publication","url":"https:\/\/www.persee.fr\/doc\/pharm_0035-2349_1997_num_85_315_4542"}]},{"title":"Fran\u00e7ois Rabelais","start_time":1600,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/15-Franc\u0327ois-Rabelais.png","credit":"

Fran\u00e7ois Rabelais<\/em> \u2013 Biblioth\u00e8que municipale de\u00a0Lyon (Coste 14779)<\/p>\n"},{"acf_fc_layout":"title","title":"Fran\u00e7ois Rabelais"},{"acf_fc_layout":"text","text":"

Rabelais \u00e0 Lyon. <\/em>
\nPar Ellen Delvall\u00e9e<\/p>\n"},{"acf_fc_layout":"button","text":"Acc\u00e9dez \u00e0 l'article","url":"https:\/\/numelyo.bm-lyon.fr\/f_view\/BML:BML_00GOO01001THM0001rabelais"}]},{"title":"Guillaume\u00a0Rondelet","start_time":1650,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/16-Guillaume-Rondelet.png","credit":"

Rondelet, Guillaume (1507-1566)<\/em> \u2013 Acad\u00e9mie nationale de chirurgie, Collection de portraits, CIPB1401<\/p>\n"},{"acf_fc_layout":"title","title":"Guillaume Rondelet"},{"acf_fc_layout":"text","text":"

D\u00e9couvrez la biographie de Guillaume Rondelet.<\/p>\n"},{"acf_fc_layout":"button","text":"Acc\u00e9dez au site","url":"https:\/\/www.biusante.parisdescartes.fr\/monstres\/biblio\/pres-rondelet01.htm"}]},{"title":"Le chanvre","start_time":1766,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/17-Le-chanvre.png","credit":"

\u00a9\u00a0MOOC La Renaissance en Val de Loire<\/p>\n"},{"acf_fc_layout":"title","title":"Le chanvre"},{"acf_fc_layout":"text","text":"

D\u00e9couvrez l’histoire du chanvre et de sa culture.<\/p>\n"},{"acf_fc_layout":"button","text":"Acc\u00e9dez au site","url":"http:\/\/www.snv.jussieu.fr\/bmedia\/textiles\/11-chanvre-historique.html"}]},{"title":"M\u00e9decine\u00a0: Histoire de\u00a0femmes","start_time":1946,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/18-femme-medecine.png","credit":"

Br\u00e8s Gebelin, Madeleine (1842-1925)<\/em>, dans Figures contemporaines tir\u00e9es de l’Album Mariani<\/em>, 1er<\/sup>\u00a0volume, Paris, 1894 \u2013 BIU Sant\u00e9 M\u00e9decine, Collection de portraits, CIPN20078<\/p>\n"},{"acf_fc_layout":"title","title":"M\u00e9decine\u00a0: Histoire de\u00a0femmes"},{"acf_fc_layout":"text","text":"

Histoire de l’entr\u00e9e des femmes en m\u00e9decine.
\n<\/em>Par Nathalie Pigeard<\/p>\n"},{"acf_fc_layout":"button","text":"Consultez la publication","url":"https:\/\/www.biusante.parisdescartes.fr\/histoire\/medica\/presentations\/entree-femmes-en-medecine.php"}]},{"title":"Louise Bourgeois","start_time":1963,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/19-Louise-Bourgeois.png","credit":"

Louise\u00a0Bourgeois<\/em>, dans Alo\u00efs\u00a0Delacoux, Biographie des sages-femmes c\u00e9l\u00e8bres, anciennes, modernes et\u00a0contemporaines<\/em>, Paris\u00a0: Trinquart, 1834 \u2013\u00a0BIU\u00a0Sant\u00e9,\u00a023846<\/p>\n"},{"acf_fc_layout":"title","title":" Louise Bourgeois"},{"acf_fc_layout":"text","text":"

Louise Bourgeois, une sage-femme au XVII\u00e8me<\/sup> si\u00e8cle, \u00e9poque charni\u00e8re pour l\u2019obst\u00e9trique.
\n<\/em>Par Nathalie Strauch<\/p>\n"},{"acf_fc_layout":"button","text":"Acc\u00e9dez \u00e0 l'article","url":"https:\/\/www.femmes-medecins.com\/portrait\/femmes-d-exception\/438-louise-bourgeois-une-sage-femme-au-xviieme-siecle-epoque-charniere-pour-lobstetrique.html"},{"acf_fc_layout":"text","text":"

 <\/p>\n

Louise Bourgeois et l\u2019image de la matrone \u00e0 la Renaissance.<\/em>
\nPar Julie C\u00f4t\u00e9<\/p>\n"},{"acf_fc_layout":"button","text":"Acc\u00e9dez \u00e0 l'article","url":"https:\/\/uottawa.scholarsportal.info\/ottawa\/index.php\/revue-analyses\/article\/view\/1236\/1178"}]},{"title":"Ang\u00e9lique du\u00a0Coudray","start_time":2104,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/20-Angelique-du-Coudray.png","credit":"

J.\u00a0Robert, Ang\u00e9lique Marguerite Ducoudray<\/em>, gravure dans Ang\u00e9lique Marguerite LE BOURSIER DU\u00a0COUDRAY, Abr\u00e9g\u00e9 de l’art des accouchements<\/em>, Paris\u00a0: Debure, 1777 \u2013\u00a0Collection BIU Sant\u00e9 M\u00e9decine, 046162<\/p>\n"},{"acf_fc_layout":"title","title":"Ang\u00e9lique du\u00a0Coudray"},{"acf_fc_layout":"text","text":"

D\u00e9couvrez l’histoire du mannequin p\u00e9dagogique d’accouchement de Madame\u00a0du\u00a0Coudray, conserv\u00e9 au Mus\u00e9e de\u00a0l’Homme.<\/p>\n"},{"acf_fc_layout":"button","text":"Acc\u00e9dez au site","url":"https:\/\/www.museedelhomme.fr\/fr\/musee\/collections\/mannequin-pedagogique-daccouchement-3856"}]},{"title":"Les accouchements sous\u00a0l'Ancien\u00a0R\u00e9gime","start_time":2162,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/21-Enfanter-dans-la-France-dAncien-Re\u0301gime.png","credit":"

Dion, Laetitia, et\u00a0al., ed.\u00a0Enfanter dans la France d\u2019Ancien R\u00e9gime<\/em>.\u00a0Arras\u00a0: Artois Presses Universit\u00e9, 2017<\/p>\n"},{"acf_fc_layout":"title","title":"Les accouchements sous\u00a0l'Ancien\u00a0R\u00e9gime"},{"acf_fc_layout":"text","text":"

Enfanter dans la France d’Ancien R\u00e9gime<\/em>.
\nPar Laetitia Dion, Adeline Gargam, Nathalie Grande et\u00a0Marie-\u00c9lisabeth\u00a0Henneau<\/p>\n"},{"acf_fc_layout":"button","text":"Consultez la pr\u00e9sentation de\u00a0l'ouvrage","url":"https:\/\/books.openedition.org\/apu\/10831?lang=fr"}]},{"title":"S\u00e9verin Pineau","start_time":2211,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/22-Severin-Pineau.png","credit":"

S\u00e9verin Pineau, De integritatis et corruptionis virginum notis ; graviditate… et partu naturali… Opuscula<\/em>, Frontispice, Leyde\u00a0: F.\u00a0Heger, 1640 \u2013\u00a0Collection BIU Sant\u00e9 M\u00e9decine, 034813×1<\/p>\n"},{"acf_fc_layout":"title","title":"S\u00e9verin Pineau"},{"acf_fc_layout":"text","text":"

\u00c0 l’occasion des \u00ab\u00a0Rendez-vous de l’Histoire\u00a0\u00bb de\u00a0Blois en\u00a02017, Juliette\u00a0Cl\u00e9ment pr\u00e9sidente honoraire de la\u00a0Soci\u00e9t\u00e9 Arch\u00e9ologique d’Eure-et-Loir pr\u00e9sente S\u00e9verin\u00a0Pineau, un\u00a0chirurgien chartrain qui n\u2019avait pas froid aux yeux.<\/p>\n"},{"acf_fc_layout":"button","text":"Visionnez la conf\u00e9rence","url":"http:\/\/rdv-histoire.com\/medias\/severin-pineau-un-chirurgien-chartrain-qui-n-avait-pas-froid-aux-yeux"}]},{"title":"Jacques et Charles Guillemeau","start_time":2281,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/23-Jacques-Guillemeau.png","credit":"

A. Valleus, Guilmaeum<\/em>, dans Jacques\u00a0Guillemeau, Tables anatomiques avec les pourtraicts… de cinq cens maladies diverses<\/em>, Paris\u00a0: Jean\u00a0Charron, 1586 \u2013\u00a0Collection BIU Sant\u00e9 M\u00e9decine, 009739<\/p>\n"},{"acf_fc_layout":"title","title":"Jacques et Charles Guillemeau"},{"acf_fc_layout":"text","text":"

Autour d’Ambroise Par\u00e9 : ses \u00e9l\u00e8ves, ses amis.<\/em>
\nPar Paule Duma\u00eetre<\/p>\n"},{"acf_fc_layout":"button","text":"Consultez l'article","url":"http:\/\/www.biusante.parisdescartes.fr\/sfhm\/hsm\/HSMx1996x030x003\/HSMx1996x030x003x0351.pdf"}]},{"title":"Ambroise Par\u00e9","start_time":2390,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/24-Ambroise-Pare\u0301.png","credit":""},{"acf_fc_layout":"title","title":"Ambroise Par\u00e9"},{"acf_fc_layout":"text","text":"

Ambroise Par\u00e9, chirurgien et \u00e9crivain fran\u00e7ais.<\/em>
\nPar Evelyne Berriot-Salvadore<\/p>\n"},{"acf_fc_layout":"button","text":"Acc\u00e9dez au site","url":"https:\/\/www.biusante.parisdescartes.fr\/pare\/"}]},{"title":"L'h\u00f4pital Clocheville","start_time":2625,"image":false,"content":[{"acf_fc_layout":"image","image":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/05\/25-Ho\u0302pital-Clocheville.png","credit":"

H\u00f4pital Clocheville \u00a9\u00a0MOOC La Renaissance en Val de Loire<\/p>\n"},{"acf_fc_layout":"title","title":"L'h\u00f4pital Clocheville"},{"acf_fc_layout":"text","text":"

Tours : l’incroyable histoire de l\u2019h\u00f4pital Clocheville.<\/em> Article publi\u00e9 dans la Nouvelle R\u00e9publique en d\u00e9cembre 2018.<\/p>\n"},{"acf_fc_layout":"button","text":"Consultez l'article de presse","url":"https:\/\/www.lanouvellerepublique.fr\/tours\/l-incroyable-histoire-de-l-hopital-clocheville"}]},{"title":"Bibliographie & Glossaire","start_time":2750,"image":false,"content":[{"acf_fc_layout":"title","title":"Bibliographie & Glossaire"},{"acf_fc_layout":"text","text":"

T\u00e9l\u00e9chargez les ressources compl\u00e9mentaires :<\/p>\n"},{"acf_fc_layout":"button","text":"Bibliographie","url":"http:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/12\/S4-Pour-aller-plus-loin-ref.pdf"},{"acf_fc_layout":"button","text":"Glossaire","url":"http:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-content\/uploads\/2021\/12\/S4-Pour-aller-plus-loin-glossaire.pdf"}]}]}],"video_url":"https:\/\/utmedia.univ-tours.fr\/downloads\/file\/v1261be9ddd3eztur14k\/?url=media_720_EVqX4pQS2R.mp4"},"_links":{"self":[{"href":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-json\/wp\/v2\/pages\/2773"}],"collection":[{"href":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-json\/wp\/v2\/comments?post=2773"}],"version-history":[{"count":50,"href":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-json\/wp\/v2\/pages\/2773\/revisions"}],"predecessor-version":[{"id":4218,"href":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-json\/wp\/v2\/pages\/2773\/revisions\/4218"}],"wp:attachment":[{"href":"https:\/\/renaissance-transmedia-lab.fr\/rtl4\/wp-json\/wp\/v2\/media?parent=2773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}